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Susan Sly - Having the Courage to Pursue Your D...
9,95 € *
ggf. zzgl. Versand

If you have ever had that feeling that if you could achieve one big breakthrough everything would fall into place - and yet somehow you’re paralyzed - Susan Sly will be a huge inspiration for you. Having overcome financial ruin and illness, she figured out how to make a massive breakthrough and become a self-made millionaire and has now devoted her life to helping others do the same. This interview may contain references to dates, events, etc., that have already taken place. These references have not been omitted in order to maintain the integrity of the recording, as all Meet The Giants interviews are REAL and unedited conversations. 1. Language: English. Narrator: Mike Giles. Audio sample: http://samples.audible.de/sp/insp/000123/sp_insp_000123_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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Equilateral: A Novel , Hörbuch, Digital, 1, 355min
9,95 € *
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Equilateral is an intellectual comedy set just before the turn of the century in Egypt. A British astronomer, Thayer, high on Darwin and other progressive scientists of the age, has come to believe that beings more highly evolved than us are alive on Mars (he has evidence) and that there will be a perfect moment in which we can signal to them that we are here too. He gets the support and funding for a massive project to build the Equilateral, a triangle with sides hundreds of miles long, in the desert of Egypt in time for that perfect window. But as work progresses, the Egyptian workers, less evolved than the British, are also less than cooperative, and a bout of malaria that seems to activate at the worst moments makes it all much more confusing and complex than Thayer ever imagined. We see Thayer also through the eyes of two women - a triangle of another sort - a romantic one that involves a secretary who looks after Thayer but doesn't suffer fools, and Binta, a house servant he covets but can't communicate with - and through them we catch sight of the depth of self-delusion and the folly of the enterprise. Equilateral is written with a subtle, sly humor, but it's also a model of reserve and historical accuracy; it's about many things, including Empire and colonization and exploration; it's about "the other" and who that other might be. We would like to talk to the stars, and yet we can barely talk to each other. 1. Language: English. Narrator: Bruce Mann. Audio sample: http://samples.audible.de/bk/adbl/015888/bk_adbl_015888_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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Yoshimoto, B: Sly
11,90 CHF *
zzgl. 3,50 CHF Versand

Als Takashi erfährt, dass er hiv-positiv ist, reist er mit zwei Freunden in ein Land, wo man den Göttern näher ist: nach Ägypten, Reich der Toten und der Sonne in einem. ›Sly‹, nach dem gleichnamigen Song von Massive Attack, ist eine berückend sinnliche Meditation über die Liebe, das Leben und den Tod.

Anbieter: Orell Fuessli CH
Stand: 08.12.2019
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Ai Weiwei
69,90 CHF *
ggf. zzgl. Versand

Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive outdoor sculpture. As much as these materials look to the past, they also speak of the present, because never before (and probably never again) have they been available in such abundance. Like his benches carved from centuries-old temple beams, Template is a sly commentary on the speed with which China's building boom is obliterating its past. (When Template collapsed in a rainstorm two weeks after its unveiling at Documenta 12, the artist embraced its demise as a clever artistic twist.) In China today, making art that's critical of current cultural and economic policies is not a particularly safe career move. But Ai's father, the poet Ai Qing, walked a similar path, absorbing European avant-garde styles while studying in 1930s Paris and later standing by them in the face of Communist opposition, a move that eventually led to his exile to the distant provincial town where his son Weiwei came to be born and raised. In the late 1970s Ai Weiwei moved to Beijing, banding together with other pro-democracy artists in a loose collective known as the Stars Group. In 1981, following government retaliation against one of their exhibitions, Ai moved to New York, where he attended art school and lived the life of the bohemian for twelve years, his East Village apartment serving as a base for countless visiting Chinese artists. When his father became ill in 1993 Ai returned to China, settling in Beijing and finally taking up his art career in earnest. Weiwei's artistic forebears belong primarily to the Western modernist avant-garde (Duchamp and Beuys are particularly relevant). But Ai has equally and increasingly been influenced by modernist architecture and contemporary urban planning, citing the need for an ideal for living in a country where runaway economic development has shown little regard for the everyday life of the individual. In stark contrast to the glass-and-steel high-rises going up around Beijing, the art galleries, ateliers and homes Ai designs are boxy and modest, made from brick and other vernacular materials. Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures. What truly marks out Ai as a twenty-first century artist is the multiplicity of his roles: not just artist, designer and architect but also curator, publisher, web blogger and compass for an entire generation of Beijing artists. He has been described more than once as the Chinese Warhol, overseeing a factory-like studio (Fake) with dozens of assistants engaged in countless projects in a range of disciplines. And indeed his outsize public persona is an inseparable part of his art. It should come as no surprise that when Herzog & de Meuron came to Beijing to conceive of a new stadium for the 2008 Olympics, Ai was the one who provided them with a design concept: an interlaced form based on the woven baskets his wife collects at local antique markets. At a time when the West is finally discovering Chinese contemporary art, Ai is one of the few to have transcended the label 'Chinese artist'. In part thanks to his gallery Urs Meile (Lucerne and Beijing), Ai has won the support of strong European collectors. His work is increasingly being shown at major venues around the world (Kunsthalle Bern, Kunsthaus Graz, Tate Liverpool) and included in major international exhibitions (the Moscow Biennial, the Guangzhou Triennale, Documenta). A complex, multi-faceted artist, Ai is poised to make a deep impact on contemporary art far beyond China's borders. Ai Weiwei is represented by Galerie Urs Meile, Lucerne and Beijing.

Anbieter: Orell Fuessli CH
Stand: 08.12.2019
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The Correspondence of Shelby Foote and Walker P...
33,90 CHF *
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In the late 1940s, Walker Percy and Shelby Foote, friends since their teenage years in Greenville, Mississippi, began a correspondence that would last until Percy's death in 1990. Walker Percy, the highly regarded author of The Moviegoer, wrote six novels, two volumes of philosophical writings, and numerous essays. Shelby Foote met with early success as a novelist, but his reputation today rests more upon his massive three-volume narrative history of the Civil War, and his role as commentator in Ken Burns's documentary The Civil War. The correspondence between Percy and Foote traces their lives from the beginning of their respective careers, when they were grappling fiercely and openly with their ambitions, artistic doubts, and personal problems. Although they discuss such serious matters as the death of Foote's mother and Percy's battle with cancer, their letters are full of sly humor and good-natured ribbing. Jay Tolson has selected, edited, and annotated the letters of these two remarkable writers to shed light on their relationship and their literary careers. Includes an eight-page insert with photographs of the writers chronicling their friendship.

Anbieter: Orell Fuessli CH
Stand: 08.12.2019
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Yoshimoto, B: Sly
8,20 € *
zzgl. 3,00 € Versand

Als Takashi erfährt, daß er hiv-positiv ist, reist er mit zwei Freunden in ein Land, wo man den Göttern näher ist: nach Ägypten, Reich der Toten und der Sonne in einem. ›Sly‹, nach dem gleichnamigen Song von Massive Attack, ist eine berückend sinnliche Meditation über die Liebe, das Leben und den Tod.

Anbieter: Thalia AT
Stand: 08.12.2019
Zum Angebot
The Correspondence of Shelby Foote and Walker P...
24,99 € *
ggf. zzgl. Versand

In the late 1940s, Walker Percy and Shelby Foote, friends since their teenage years in Greenville, Mississippi, began a correspondence that would last until Percy's death in 1990. Walker Percy, the highly regarded author of The Moviegoer, wrote six novels, two volumes of philosophical writings, and numerous essays. Shelby Foote met with early success as a novelist, but his reputation today rests more upon his massive three-volume narrative history of the Civil War, and his role as commentator in Ken Burns's documentary The Civil War. The correspondence between Percy and Foote traces their lives from the beginning of their respective careers, when they were grappling fiercely and openly with their ambitions, artistic doubts, and personal problems. Although they discuss such serious matters as the death of Foote's mother and Percy's battle with cancer, their letters are full of sly humor and good-natured ribbing. Jay Tolson has selected, edited, and annotated the letters of these two remarkable writers to shed light on their relationship and their literary careers. Includes an eight-page insert with photographs of the writers chronicling their friendship.

Anbieter: Thalia AT
Stand: 08.12.2019
Zum Angebot
Ai Weiwei
35,99 € *
ggf. zzgl. Versand

Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive outdoor sculpture. As much as these materials look to the past, they also speak of the present, because never before (and probably never again) have they been available in such abundance. Like his benches carved from centuries-old temple beams, Template is a sly commentary on the speed with which China's building boom is obliterating its past. (When Template collapsed in a rainstorm two weeks after its unveiling at Documenta 12, the artist embraced its demise as a clever artistic twist.) In China today, making art that's critical of current cultural and economic policies is not a particularly safe career move. But Ai's father, the poet Ai Qing, walked a similar path, absorbing European avant-garde styles while studying in 1930s Paris and later standing by them in the face of Communist opposition, a move that eventually led to his exile to the distant provincial town where his son Weiwei came to be born and raised. In the late 1970s Ai Weiwei moved to Beijing, banding together with other pro-democracy artists in a loose collective known as the Stars Group. In 1981, following government retaliation against one of their exhibitions, Ai moved to New York, where he attended art school and lived the life of the bohemian for twelve years, his East Village apartment serving as a base for countless visiting Chinese artists. When his father became ill in 1993 Ai returned to China, settling in Beijing and finally taking up his art career in earnest. Weiwei's artistic forebears belong primarily to the Western modernist avant-garde (Duchamp and Beuys are particularly relevant). But Ai has equally and increasingly been influenced by modernist architecture and contemporary urban planning, citing the need for an ideal for living in a country where runaway economic development has shown little regard for the everyday life of the individual. In stark contrast to the glass-and-steel high-rises going up around Beijing, the art galleries, ateliers and homes Ai designs are boxy and modest, made from brick and other vernacular materials. Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures. What truly marks out Ai as a twenty-first century artist is the multiplicity of his roles: not just artist, designer and architect but also curator, publisher, web blogger and compass for an entire generation of Beijing artists. He has been described more than once as the Chinese Warhol, overseeing a factory-like studio (Fake) with dozens of assistants engaged in countless projects in a range of disciplines. And indeed his outsize public persona is an inseparable part of his art. It should come as no surprise that when Herzog & de Meuron came to Beijing to conceive of a new stadium for the 2008 Olympics, Ai was the one who provided them with a design concept: an interlaced form based on the woven baskets his wife collects at local antique markets. At a time when the West is finally discovering Chinese contemporary art, Ai is one of the few to have transcended the label 'Chinese artist'. In part thanks to his gallery Urs Meile (Lucerne and Beijing), Ai has won the support of strong European collectors. His work is increasingly being shown at major venues around the world (Kunsthalle Bern, Kunsthaus Graz, Tate Liverpool) and included in major international exhibitions (the Moscow Biennial, the Guangzhou Triennale, Documenta). A complex, multi-faceted artist, Ai is poised to make a deep impact on contemporary art far beyond China's borders. Ai Weiwei is represented by Galerie Urs Meile, Lucerne and Beijing.

Anbieter: Thalia AT
Stand: 08.12.2019
Zum Angebot
George Pearce And His Huge Massive Ears
12,99 € *
zzgl. 3,00 € Versand

Meet George Pearce - he's easy to spot, because of his huge massive ears. Having big ears has its advantages - nothing escapes George, and soon he is awash with information that he has picked up on the sly.

Anbieter: Thalia AT
Stand: 08.12.2019
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